Millicent Young
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work > Bequeath (sound in sculpture) (2023)

BEQUEATH integrates sound, poetry, and sculpture. Embedded within the sculpture is a 5.30 minute audio track of human, amphibian, avian, and tellurian voices. The track is motion activated, the viewer's presence initiating a cross time-place-species conversation.

Included in the track is my speaking of a poem by Gregory Orr This is what was bequeathed us (from How Beautiful the Beloved, Copper Canyon Press 2009); the songs of two recently extinct birds; and the sounds of water and thunder.

The suspended form was originally a Techniklavier - a soundless practice piano that had belonged to my father, a pianist.

Thank you to Gregory Orr for writing this poem and for his blessing in letting me borrow it; to the Macaulay Library of Ornithology for permission to use their recordings of Bachman's warbler and the Kauai O'o; to the waters, weather, and vernal ponds where I live. And to the New York State Council on the Arts Individual Artist regrant administered through Arts Mid Hudson for supporting the creation of this work.

View the 5:27 minute version here. This is the full length audio track accompanied with images.

Bequeath (audio recording, deconstructed practice piano, scrap wood, galvanized roofing, ceramic, sheet music, paper, text, encaustic, pigments, thread, cable, steel rod, android tablet, bluetooth speaker ; 34 x 67 x 21)


Bequeath (audio recording, deconstructed practice piano, scrap wood, galvanized roofing, ceramic, sheet music, paper, text, encaustic, pigments, thread, cable, steel rod, android tablet, bluetooth speaker ; 34 x 67 x 21)


Bequeath (detail back side)


Bequeath (detail)


Bequeath (detail)


Bequeath (detail of text on metal tray)


Bequeath (detail)


Bequeath (installed in Alter Altar)


Bequeath (accompanied by Coals (right rear) installed for Alter Altar)


Kerosene Beauty and Instructions (accompanying Bequeath in Alter Altar)